Shusaku Arakawa
The Mechanism of Meaning(No.2)Review and Self-CriticismーDrawing for Venice Project
- Artist
-
Shusaku Arakawa
- Date
-
c.1963-1988
- Medium
-
Pencil on paper
- Dimentions
-
97.0×127.0cm
- Accesion Number
-
AS-005-125~126
-
© 2016 Reversible Destiny Foundation. Reproduced with permission of the Reversible Destiny Foundation
The Venice Project was a large-scale urban planning proposal for the city of Venice, Italy. Although it was never realized, Shusaku Arakawa and Madeline Gins conceived of the historic lagoon city itself as a testing ground for their concept of Reversible Destiny.
Rather than preserving Venice solely as a historic urban landscape, they envisioned it as an environment in continuous transformation. By reconfiguring the relationships among canals, public squares, and buildings, they sought to shift the city from a fixed and stable structure into a more fluid and dynamic one, challenging people’s bodily awareness and spatial perception.
The project regarded the city itself as a vast “architectural body,” in which human beings and their environment would continuously influence one another. It is considered one of the most ambitious expressions of the Reversible Destiny philosophy, extending its principles from individual buildings to the scale of an entire city.
Shusaku Arakawa
- Artist
-
Shusaku Arakawa
- Date
-
c.1963-1988
- Medium
-
Pencil on paper
- Dimentions
-
97.0×127.0cm
- Accesion Number
-
AS-005-125~126
-
© 2016 Reversible Destiny Foundation. Reproduced with permission of the Reversible Destiny Foundation