| Artist |
Title |
Year |
Medium |
| Anish Kapoor |
Angel, 1990 |
1990 |
Limestone, pigment |
| Alexander Calder |
Rusty Bottle |
1936 |
Painted steel plate and wire |
| Marcel Duchamp |
Boîte-en-Valise |
1968（1935-41） |
68 reproductions in linen covered box |
| Keiji Usami |
Resonance of profiles: Sky Blue |
1976 |
Oil on canvas |
| Man Ray |
Le Couple |
1914 |
Oil on canvas |
| Wassily Kandinsky |
Hart in Weich |
1927 |
Oil on canvas |
| Wassily Kandinsky |
Division-Unité |
1934 |
Oil and sand on canvas |
| Paul Klee |
Arktische Tau |
1920 |
Oil on board |
| Paul Klee |
Büste |
1922 |
Oil and watercolor on paper |
| Joan Miró |
Femmes dans la Nuit |
1946 |
Oil on canvas |
| Max Ernst |
If and No |
1957 |
Oil on canvas |
| Jackson Pollock |
No.9 |
1950 |
Enamel and encaustic on cotton duck |
| Jasper Johns |
Target |
1974 |
Oil, encaustic and collage on canvas |
| Man Ray |
Perpetural Motif（Indestructible Object） |
1970(1923) |
Metronome and photograph |
| Man Ray |
Pécharge |
1972（1969） |
Assemblage |
| Man Ray |
Emak Bakia |
1970(1926) |
Silver |
| Mark Rothko |
No.7 |
1960 |
Oil on canvas |
| Sam Francis |
Blue Beam |
1980 |
Monotype on cottonpaper with acrylic |
| Anselm Kiefer |
Elisabeth von Osterreich |
1990 |
Lead and female human hair |
| Magdalena Abakanowicz |
40 Warsaw Backs |
1990-1991 |
Burlap and glue |
| Pierre Soulages |
Peinture, janivier 7,1983 |
1983 |
Oil on canvas |
| Arakawa and Madeline Gins |
The Mechanism of Meaning |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
1. Neutralization of Subjectivity 2-5 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
2. Localization and Transference 6-9 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
3. Presentation of Ambiguous Zones 10-15 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
4. The Energy of Meaning (Biochemical Physical and Psychoohysical Aspects） 16-19 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
5. Degree of Meaning 20-25 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
16. Review and Self-Criticism |
c.1963/88 |
Pencil on paper (23 pieces) |
| Arakawa and Madeline Gins |
16. Review and Self-Criticism |
c.1963/88 |
Pencil on paper (16 pieces） |
| Arakawa and Madeline Gins |
16. Review and Self-Criticism−Drawing for Epianl Project |
c.1963/88 |
Pencil on paper (3 pieces） |
| Arakawa and Madeline Gins |
16. Review and Self-Criticism−Model for Epianl Project |
c.1963/88 |
Iron and wood |
| Arakawa and Madeline Gins |
16. Review and Self-Criticism−Drawing for Venice Project |
c.1963/88 |
鉛筆、紙 (2点) |
| Arakawa and Madeline Gins |
16. Review and Self-Criticism−Photograph of Model for Venice Project |
c.1963/88 |
写真 |
| Arakawa and Madeline Gins |
10.Texture of Meaning 50-54 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
6. Expansion and Reduction – Meaning of Scale 26-30 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
7. Splitting of Meaning 31-37 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
8. Reassembling 38-45 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
9. Reversibility 46-49 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
11. Mapping of Meaning 55-58 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
Another Cemetery(Series) |
c.1963/88 |
Mixed media |
| Arakawa and Madeline Gins |
11. Mapping of Meaning 59-60 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
12. The Feeling of Meaning 61-65 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
13. Logic of Meaning 66-70 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
14. Construction of the Memory of Meaning 71-76 |
c.1963/88 |
Oil on canvas |
| Arakawa and Madeline Gins |
15. Meaning of Intelligence 77-81 |
c.1963/88 |
Oil on canvas |
| Shusaku Arakawa |
At the window |
1968 |
Oil on canvas (4/5 panel） |
| Shusaku Arakawa |
At the window |
1968 |
Oil on canvas (1/5 panel） |
| Shusaku Arakawa |
work |
1960 |
Mixed media |
| Shusaku Arakawa |
work |
1960 |
Mixed media |
| Jean Tinguely |
Pandemonium No.1 |
1984 |
Mixed media |
| César |
Yes Coke |
1982 |
Cans |
| César |
Compression Tokyo |
1982 |
Automobile |
| Anselm Kiefer |
Elisabeth von Osterreich |
1990 |
Lead and female human hair |
| George Segal |
Gay Liberation |
1980 |
Plaster, iron and wood |
| Ushio Shinohara |
Motorcycle Green Spiderman |
1991 |
Wood, cardboard, plastic, iron polyester resin |
| Ushio Shinohara |
Shutendoshi |
1986 |
Acrylic on canvas |
| Arata Ishozaki |
Museum of Contemporary Art, Los Angeles |
1983 |
Silkscreen |
| Natsuyuki Nakanishi |
Shape of Painting No.2 |
1972 |
Oil on canvas |
